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Naljepnica "Hit-triler koji osvaja publiku širom regije" nije stavljena tek tako na hrvatski plakat srpskog filma "Jedini izlaz". Naime, triler Darka Nikolića privukao je dosad 64.906 gledatelja u srpska kina. Brojka je još veća ako se pridodaju i bosanska kina – 71.730. To je izvanredan, blockbusterski rezultat u pandemijskom "novom (ne)normalnom" uzimajući u obzir da nisu sva kina otvorena i da ne rade punim kapacitetima, a posebice ako se usporedi s gledanošću hrvatskih filmova prije korone.

Ilustracije radi, unatrag pet godina samo je "General" zabilježio gledanost veću od 70 tisuća, preko 60.000 ostvarili su "ZG80" i "Uzbuna na zelenom vrhu", dok je posljednji film hitmejkera Vinka Brešana "Koja je ovo država" vidjelo 58.000 ljudi.

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FILM: Jedini izlaz; triler; Srbija, 2021. REŽIJA: Darko Nikolić ULOGE: Anđelka Prpić, Ljubomir Bandović DISTRIBUCIJA: Continental OCJENA: ** ½

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Srpski film je poslovično gledaniji od hrvatskog na matičnom teritoriju i šire, a publici je "Jedini izlaz" ponudio nešto drukčije – klasični triler, i to s Anđelkom Prpić u glavnoj ulozi kao glumicom poznatom po komedijama, poput popularne humoristične serije "Andrija i Anđelka".

Novomilenijska srpska kinematografija je žanrovski razvedenija prema hrvatskoj, ali triler je i tu u manjini kao i kod nas (usamljeni primjeri "Nije sve u lovi" i "Hitac"), češće skriven unutar akcijskog i kriminalističkog filma ("Južni vjetar"), nego "samostalan".

Hrvatski gledatelji u kino mogu biti privučeni istom trilerskom drukčijnosti "Jedinog izlaza" za regionalne pojmove, plus domaćom glumačkom ekipom (Janko Popović Volarić, Marinko Prga, Nives Ivanković) i splitskim lokacijama (aerodrom, get, luka, ACI...), a s glavnom glumicom upoznali su se preko "Andrije i Anđelke" na RTL-u.

Prpić glumi odvjetnicu Anu Kolar koju mori tragični događaj prije šest godina kad je njezin suprug, poznati beogradski advokat Saša (Popović Volarić) čija firma ima ured i u Hrvatskoj, izgubio život u požaru u noćnom klubu nazvanom "Jedini izlaz", zajedno s desetak mladih ljudi, a ona u bijegu i padu izgubila sjećanje. "Posljednje čega se sjećam je da sam bila sretna", razmišlja nesretna Ana naglas, vraćajući se na stradavanje supruga pod sumnjivim okolnostima.

Snimak pete kamere u klubu je misteriozno nedostupan, a kad Ana dobije poruku "Jesi li sigurna da je Saša mrtav?" i otkrije da se njezin muž bavio davanjem novih identiteta, državljanstava i putovnica klijentima, bit će uvučena u "mrežu laži, ucjena i ubojstava" i otkriti obiteljske tajne iz prošlosti zajedno s inspektorom Dejanom Štrpcem (Ljubomir Bandović, najbolji u mahom dobroj glumačkoj postavi).

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Istraga je u načelu tipizirana i konvencionalna za žanr trilera (amnezična protagonistica, zavjera...), ali osvježena time što glumci govore srpski i hrvatski, a ne engleski. Trilerska formula prebačena je u balkanski okvir, što je sobom povuklo "balkanizaciju" žanra u pozitivnom i negativnom smislu.

Zanimljivo je vidjeti triler iz našeg sokaka, odnosno ovdašnje likove i lokacije u drukčijem, žanrovskom svjetlu, pri čemu Split pokazuje potencijal da postane nova Rijeka ("Novine"), skrivajući neistraženi trilerski mrak ispod sunčane mediteranske površine.

S druge strane, "stilizacija" filma uglavnom je više televizijsko-sapuničarska nego filmična da bi ovo bio punokrvni "depalmovski" triler, čemu naoko stremi, premda je lišen pravog "suspensea" i uzbuđenja. Likovi su zavjerenički nastrojeni kao u obiteljskoj sapunici, a poneke glumačke partije na tom tragu prenapadne i teatralne (Danica Maksimović).

Televizijsko podrijetlo "Jedinog izlaza" je jasnije kad se dozna da je izmontiran iz buduće serije, što (ne)opravdava nerijetku pripovjedačku/kronološku i karakternu kaotičnost, tj. pojedine narativne rukavce koji ostaju kratkih rukava i likove naizgled proizvoljno uvedene i izvedene iz filma s (ni)malo motiva u kontekstu priče osovljene oko protagonistice.

Ana je potentan i snažan ženski lik, rijedak općenito u srpskoj i hrvatskoj kinematografiji, kamoli u jedva postojećem žanru trilera koji pokazuje potencijal u "Jedinom izlazu" i film bi ga, unatoč manama, možda mogao trajnije mapirati na regionalnoj filmskoj karti. "Jedini izlaz" zaslužuje podršku kao mogući vjesnik nekoga novog trenda.

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Boris Komnenić u jednoj od posljednjih uloga

U ostalim ulogama nastupaju Milena Predić, Milan Čučilović, Nikola Ristanovski, Milena Predić, Toni Mihajlovski, Sonja Kolačarić, Jovo Maksić, Andrija Bošković, Klara Hrvanović, kao i nedavno preminuli Boris Komnenić ("Bolji život") u jednoj od posljednjih uloga.

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Naljepnica "Hit-triler koji osvaja publiku širom regije" nije stavljena tek tako na hrvatski plakat srpskog filma "Jedini izlaz". Naime, triler Darka Nikolića privukao je dosad 64.906 gledatelja u srpska kina. Brojka je još veća ako se pridodaju i bosanska kina – 71.730. To je izvanredan, blockbusterski rezultat u pandemijskom "novom (ne)normalnom" uzimajući u obzir da nisu sva kina otvorena i da ne rade punim kapacitetima, a posebice ako se usporedi s gledanošću hrvatskih filmova prije korone.

Ilustracije radi, unatrag pet godina samo je "General" zabilježio gledanost veću od 70 tisuća, preko 60.000 ostvarili su "ZG80" i "Uzbuna na zelenom vrhu", dok je posljednji film hitmejkera Vinka Brešana "Koja je ovo država" vidjelo 58.000 ljudi.

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FILM: Jedini izlaz; triler; Srbija, 2021. REŽIJA: Darko Nikolić ULOGE: Anđelka Prpić, Ljubomir Bandović DISTRIBUCIJA: Continental OCJENA: ** ½

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Srpski film je poslovično gledaniji od hrvatskog na matičnom teritoriju i šire, a publici je "Jedini izlaz" ponudio nešto drukčije – klasični triler, i to s Anđelkom Prpić u glavnoj ulozi kao glumicom poznatom po komedijama, poput popularne humoristične serije "Andrija i Anđelka".

Novomilenijska srpska kinematografija je žanrovski razvedenija prema hrvatskoj, ali triler je i tu u manjini kao i kod nas (usamljeni primjeri "Nije sve u lovi" i "Hitac"), češće skriven unutar akcijskog i kriminalističkog filma ("Južni vjetar"), nego "samostalan".

Hrvatski gledatelji u kino mogu biti privučeni istom trilerskom drukčijnosti "Jedinog izlaza" za regionalne pojmove, plus domaćom glumačkom ekipom (Janko Popović Volarić, Marinko Prga, Nives Ivanković) i splitskim lokacijama (aerodrom, get, luka, ACI...), a s glavnom glumicom upoznali su se preko "Andrije i Anđelke" na RTL-u.

Prpić glumi odvjetnicu Anu Kolar koju mori tragični događaj prije šest godina kad je njezin suprug, poznati beogradski advokat Saša (Popović Volarić) čija firma ima ured i u Hrvatskoj, izgubio život u požaru u noćnom klubu nazvanom "Jedini izlaz", zajedno s desetak mladih ljudi, a ona u bijegu i padu izgubila sjećanje. "Posljednje čega se sjećam je da sam bila sretna", razmišlja nesretna Ana naglas, vraćajući se na stradavanje supruga pod sumnjivim okolnostima.

Snimak pete kamere u klubu je misteriozno nedostupan, a kad Ana dobije poruku "Jesi li sigurna da je Saša mrtav?" i otkrije da se njezin muž bavio davanjem novih identiteta, državljanstava i putovnica klijentima, bit će uvučena u "mrežu laži, ucjena i ubojstava" i otkriti obiteljske tajne iz prošlosti zajedno s inspektorom Dejanom Štrpcem (Ljubomir Bandović, najbolji u mahom dobroj glumačkoj postavi).

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Istraga je u načelu tipizirana i konvencionalna za žanr trilera (amnezična protagonistica, zavjera...), ali osvježena time što glumci govore srpski i hrvatski, a ne engleski. Trilerska formula prebačena je u balkanski okvir, što je sobom povuklo "balkanizaciju" žanra u pozitivnom i negativnom smislu.

Zanimljivo je vidjeti triler iz našeg sokaka, odnosno ovdašnje likove i lokacije u drukčijem, žanrovskom svjetlu, pri čemu Split pokazuje potencijal da postane nova Rijeka ("Novine"), skrivajući neistraženi trilerski mrak ispod sunčane mediteranske površine.

S druge strane, "stilizacija" filma uglavnom je više televizijsko-sapuničarska nego filmična da bi ovo bio punokrvni "depalmovski" triler, čemu naoko stremi, premda je lišen pravog "suspensea" i uzbuđenja. Likovi su zavjerenički nastrojeni kao u obiteljskoj sapunici, a poneke glumačke partije na tom tragu prenapadne i teatralne (Danica Maksimović).

Televizijsko podrijetlo "Jedinog izlaza" je jasnije kad se dozna da je izmontiran iz buduće serije, što (ne)opravdava nerijetku pripovjedačku/kronološku i karakternu kaotičnost, tj. pojedine narativne rukavce koji ostaju kratkih rukava i likove naizgled proizvoljno uvedene i izvedene iz filma s (ni)malo motiva u kontekstu priče osovljene oko protagonistice.

Ana je potentan i snažan ženski lik, rijedak općenito u srpskoj i hrvatskoj kinematografiji, kamoli u jedva postojećem žanru trilera koji pokazuje potencijal u "Jedinom izlazu" i film bi ga, unatoč manama, možda mogao trajnije mapirati na regionalnoj filmskoj karti. "Jedini izlaz" zaslužuje podršku kao mogući vjesnik nekoga novog trenda.

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Boris Komnenić u jednoj od posljednjih uloga

U ostalim ulogama nastupaju Milena Predić, Milan Čučilović, Nikola Ristanovski, Milena Predić, Toni Mihajlovski, Sonja Kolačarić, Jovo Maksić, Andrija Bošković, Klara Hrvanović, kao i nedavno preminuli Boris Komnenić ("Bolji život") u jednoj od posljednjih uloga.

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StoryEditorOCM
Film & TVCINEMARK U KINU

‘Jedini izlaz‘: Triler iz našeg sokaka

Piše Marko Njegić
17. travnja 2021. - 21:02
17508162
PREMIUM
Galerija

Naljepnica "Hit-triler koji osvaja publiku širom regije" nije stavljena tek tako na hrvatski plakat srpskog filma "Jedini izlaz". Naime, triler Darka Nikolića privukao je dosad 64.906 gledatelja u srpska kina. Brojka je još veća ako se pridodaju i bosanska kina – 71.730. To je izvanredan, blockbusterski rezultat u pandemijskom "novom (ne)normalnom" uzimajući u obzir da nisu sva kina otvorena i da ne rade punim kapacitetima, a posebice ako se usporedi s gledanošću hrvatskih filmova prije korone.

Ilustracije radi, unatrag pet godina samo je "General" zabilježio gledanost veću od 70 tisuća, preko 60.000 ostvarili su "ZG80" i "Uzbuna na zelenom vrhu", dok je posljednji film hitmejkera Vinka Brešana "Koja je ovo država" vidjelo 58.000 ljudi.

Srpski film je poslovično gledaniji od...

#CINEMARK#CINEMARK U KINU #TRILERI#REGIONALNI FILMOVI#SRPSKI FILMOVI#ANĐELKA PRPIĆ#JANKO POPOVIĆ VOLARIĆ#JEDINI IZLAZ
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