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Car Napoleon Bonaparte (1769. – 1821.), "najveći vojskovođa u povijesti svijeta", figura je kao stvorena za film. Nizak čovjek visokih ambicija slijedio je osvajačke stope Cezara i Aleksandra Velikog, ali i doživio nesretnu ljubavnu priču sa suprugom Josephine od koje se morao razvesti kad mu nije mogla roditi nasljednika. Pa ipak, Napoleon nikako da dobije tzv. definitivni film, kroniku njegova života, od uspona iza Francuske revolucije 1789. do pada nakon bitke kod Waterlooa i smrti u progonstvu na otoku Sveta Helena 1821. godine.

Od Josephine do Sv. Helene

Takvim se, naime, baš i ne smatraju npr. nijemi "Napoleon" Abela Gancea iz 1927. s Albertom Dieudonneom u glavnoj ulozi, niti "Waterloo" Sergeja Bondarčuka iz 1970. s Rodom Steigerom. Možda bi to bio nesuđeni "Napoleon" Stanleyja Kubricka s Jackom Nicholsonom kao Bonaparteom, ali taj film nije nikad snimljen.

Najbliži pojmu "definitivnog filma" o Napoleonu na kraju je snimio Ridley Scott ("Alien", "Istrebljivač", "Crna kiša", "Thelma i Louise", "Hannibal"), potpomognut uobičajeno uživljenom interpretacijom oskarovca Joaquina Phoenixa u kojoj se mogu nazrijeti tragovi njegova cara Komoda iz "Gladijatora", djelomično i Jokera.

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Vojska i Josephine, tj. Napoleonove bitke i njegov brak prelamaju se u spektaklu koji je najbolji kad presijeca topničku akciju i interakciju supružnika

Scott Free Productions - Apple S/Collection Christophel Via Afp
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Sa Scottom iza kamere, "Napoleon" je drukčiji nego što bi to bio u viziji Kubricka, onoliko koliko se njegovi povijesni filmovi "Gladiator", "Kingdom Of Heaven", "Robin Hood" i podcijenjeni "The Last Duel" razlikuju od "Barryja Lyndona", premda tu i tamo znade bocnuti žalcima "kubrickovske" društveno kritičke satire, pa i one "lanthimosovske" ("Miljenica").

To što film započinje Francuskom revolucijom i giljotiniranjem francuske kraljice (Catherine Walker) ne znači da će "Napoleon" postati muška verzija "Marije Antoanete" Sofije Coppole. Spektakl je kod Scotta u prvom planu, ali i odnos Napoleona i Josephine (dojmljiva Vanessa Kirby; "Krhotine žene", "Svijet koji dolazi") dobio je propisnu minutažu.

Posljednje riječi Napoleona pred smrt bile su "Francuska... vojska... Josephine..." i one su pokretač Scottova filma koji želi biti epski i intiman. (Francuska) vojska i Josephine, tj. Napoleonove bitke i njegov brak, bojno polje i bračna postelja, prelamaju se u priči scenarista Davida Scarpe, odlučnog da u scenarij pospremi što više toga.

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Scenografija je raskošna i raznolika, od okršaja pored egipatskih piramida, preko snježno-ledene bitke za Austerlitz i dalje do Waterlooa

Scott Free Productions - Apple S/Collection Christophel Via Afp
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Pokrivajući 30 godina u životu Napoleona, film u trajanju od 158 minuta može se povremeno učiniti užurbanim, labavo povezanim pa i "neurednim" dok (pre)skače s jednog događaja na drugi, toliko da vapi za najavljenom (četverosatnom) redateljskom verzijom koja se pokazala superiornom u slučaju "Kraljevstva nebeskog".

Međutim, kad presijeca topničku akciju i interakciju supružnika, "Napoleon" impresivno (de)konstruira povijesni ep, režiran na zlatnoj sredini "Gladijatora" i "Posljednjeg dvoboja", pozicionirajući se kao jedan od boljih filmova unutar Scottova neujednačena opusa unatrag desetak godina ("Tijelo od laži", "Prometej", "Savjetnik", "Marsovac", "Egzodus: Bogovi i kraljevi", "Alien: Savez", "Sav novac svijeta", "Dinastija Gucci").

Najsigurniji na bojištu

Korzikanski topnički časnik zarana se, u opsadi Toulona 1793., profilira kao strateg i netko tko zna kako i gdje postaviti topove, baš poput Scotta. "Iznenađenje je moja prednost, ali pobijedit ću vatrom", rekao je Napoleon. Rečeno – učinjeno: Napoleon je preoteo topove u luci i potopio britansku flotu u spektakularnoj sceni grafičkog nasilja koja priprema teren za kasnije gušenje pobune u topovskoj krvi i druge masovne bitke.

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Scena frapira dosad neviđenim borbenim detaljima na filmu u dosluhu sa Scottovom filmografijom (topovska kugla pogađa konja i ostavlja krater u prsima životinje kao da se odatle izlegao Alien), ali redatelj ne gubi iz vida Napoleona kao čovjeka (njegovo glasno disanje čuje se gotovo jednako kao i paljba) koji će za uspjeh biti promaknut iz satnika u brigadnoga generala.

Nedugo nakon opsade Toulona, Napoleon upoznaje Josephinu i njihova toksična veza počinje, puna ljubavi i mržnje, satkana od svađanja za ručkom/večerom, seksa na brzaka... i pogurana dinamikom Phoenixa i Kirby. Kad Josephine nađe ljubavnika i ignorira Napoleonova pisma tijekom oslobađanja Egipta, novine se rugaju s generalom. Članak ga opisuje kao "rogonju" i spominje "suzama natopljena pisma".

Suze je Napoleon utapao u krvi neprijatelja dok nije ponovno osvojio Josephine, ali je ostao nesiguran u njezinu ljubav i htio ju je impresionirati osvajanjima. "Samo si grubijan bez mene", govori Josephine i traži od Napoleona da ponavlja te riječi, potičući njegovu nesigurnost koju je suzbijao pobjedama na bojištu, gdje se osjeća najsigurnijim, kao i Scott.

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Scott Free Productions - Apple S/Collection Christophel Via Afp
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Treba istaknuti da "Napoleon" ima neke od najbolje orkestriranih/koreografiranih scena bitaka u povijesnom žanru svih vremena. Bitke su podjednako poetične i brutalne, upriličene iznimno čisto i pregledno na masivnoj proračunskoj skali produkcije a la "Gladiator", podsjećajući na filmove devedesetih/početka novog milenija ("Hrabro srce", "Trinaesti ratnik", "Troja", "Kralj Arthur"), iz perioda kad su se koristili statisti/setovi i računalna grafika se još nije otela kontroli.

Scenografija je raskošna i raznolika, od okršaja pored egipatskih piramida, preko snježno-ledene bitke za Austerlitz i dalje do Waterlooa. Austerlitz najviše ostaje u sjećanju zahvaljujući Scottovoj nadahnutoj režiji u prizorima kad topovske kugle probijaju koru leda i tonu na dno jezera, povlačeći sa sobom u dubinu vojnike i konje dok se voda boja krvlju. "Napoleon" potvrđuje da je Scott akcijsko-režijski nevjerojatno vitalan za jednog 85-godišnjaka.

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Rupert Everett kao Vojvoda od Wellingtona

David Scarpa je napisao remake "Dana kad se Zemlja zaustavila" s Keanuom Reevesom i Scottov "All The Money In The World"). Važniju ulogu u filmu igra i Rupert Everett kao Vojvoda od Wellingtona, a tu je i Tahar Rahim.

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Rupert Everett kao Vojvoda od Wellingtona

David Scarpa je napisao remake "Dana kad se Zemlja zaustavila" s Keanuom Reevesom i Scottov "All The Money In The World"). Važniju ulogu u filmu igra i Rupert Everett kao Vojvoda od Wellingtona, a tu je i Tahar Rahim.

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Posljednje rije\u010di Napoleona pred smrt bile su \u2018Francuska... vojska... Josephine...\u2018 i one su pokreta\u010d filma Ridleyja Scotta s Joaquinom Phoenixom i Vanessom Kirby u glavnim ulogama<\/p>","

Scenografija je rasko\u0161na i raznolika, od okr\u0161aja pored egipatskih piramida, preko snje\u017eno-ledene bitke za Austerlitz i dalje do Waterlooa<\/p>","","","","

Vojska i Josephine, tj. 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Posljednje riječi Napoleona pred smrt bile su ‘Francuska... vojska... Josephine...‘ i one su pokretač filma Ridleyja Scotta s Joaquinom Phoenixom i Vanessom Kirby u glavnim ulogama

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Posljednje riječi Napoleona pred smrt bile su ‘Francuska... vojska... Josephine...‘ i one su pokretač filma Ridleyja Scotta s Joaquinom Phoenixom i Vanessom Kirby u glavnim ulogama

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Scenografija je raskošna i raznolika, od okršaja pored egipatskih piramida, preko snježno-ledene bitke za Austerlitz i dalje do Waterlooa

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Vojska i Josephine, tj. Napoleonove bitke i njegov brak prelamaju se u spektaklu koji je najbolji kad presijeca topničku akciju i interakciju supružnika

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Car Napoleon Bonaparte (1769. – 1821.), "najveći vojskovođa u povijesti svijeta", figura je kao stvorena za film. Nizak čovjek visokih ambicija slijedio je osvajačke stope Cezara i Aleksandra Velikog, ali i doživio nesretnu ljubavnu priču sa suprugom Josephine od koje se morao razvesti kad mu nije mogla roditi nasljednika. Pa ipak, Napoleon nikako da dobije tzv. definitivni film, kroniku njegova života, od uspona iza Francuske revolucije 1789. do pada nakon bitke kod Waterlooa i smrti u progonstvu na otoku Sveta Helena 1821. godine.

Od Josephine do Sv. Helene

Takvim se, naime, baš i ne smatraju npr. nijemi "Napoleon" Abela Gancea iz 1927. s Albertom Dieudonneom u glavnoj ulozi, niti "Waterloo" Sergeja Bondarčuka iz 1970. s Rodom Steigerom. Možda bi to bio nesuđeni "Napoleon" Stanleyja Kubricka s Jackom Nicholsonom kao Bonaparteom, ali taj film nije nikad snimljen.

Najbliži pojmu "definitivnog filma" o Napoleonu na kraju je snimio Ridley Scott ("Alien", "Istrebljivač", "Crna kiša", "Thelma i Louise", "Hannibal"), potpomognut uobičajeno uživljenom interpretacijom oskarovca Joaquina Phoenixa u kojoj se mogu nazrijeti tragovi njegova cara Komoda iz "Gladijatora", djelomično i Jokera.

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Vojska i Josephine, tj. Napoleonove bitke i njegov brak prelamaju se u spektaklu koji je najbolji kad presijeca topničku akciju i interakciju supružnika

Scott Free Productions - Apple S/Collection Christophel Via Afp
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Sa Scottom iza kamere, "Napoleon" je drukčiji nego što bi to bio u viziji Kubricka, onoliko koliko se njegovi povijesni filmovi "Gladiator", "Kingdom Of Heaven", "Robin Hood" i podcijenjeni "The Last Duel" razlikuju od "Barryja Lyndona", premda tu i tamo znade bocnuti žalcima "kubrickovske" društveno kritičke satire, pa i one "lanthimosovske" ("Miljenica").

To što film započinje Francuskom revolucijom i giljotiniranjem francuske kraljice (Catherine Walker) ne znači da će "Napoleon" postati muška verzija "Marije Antoanete" Sofije Coppole. Spektakl je kod Scotta u prvom planu, ali i odnos Napoleona i Josephine (dojmljiva Vanessa Kirby; "Krhotine žene", "Svijet koji dolazi") dobio je propisnu minutažu.

Posljednje riječi Napoleona pred smrt bile su "Francuska... vojska... Josephine..." i one su pokretač Scottova filma koji želi biti epski i intiman. (Francuska) vojska i Josephine, tj. Napoleonove bitke i njegov brak, bojno polje i bračna postelja, prelamaju se u priči scenarista Davida Scarpe, odlučnog da u scenarij pospremi što više toga.

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Scenografija je raskošna i raznolika, od okršaja pored egipatskih piramida, preko snježno-ledene bitke za Austerlitz i dalje do Waterlooa

Scott Free Productions - Apple S/Collection Christophel Via Afp
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Pokrivajući 30 godina u životu Napoleona, film u trajanju od 158 minuta može se povremeno učiniti užurbanim, labavo povezanim pa i "neurednim" dok (pre)skače s jednog događaja na drugi, toliko da vapi za najavljenom (četverosatnom) redateljskom verzijom koja se pokazala superiornom u slučaju "Kraljevstva nebeskog".

Međutim, kad presijeca topničku akciju i interakciju supružnika, "Napoleon" impresivno (de)konstruira povijesni ep, režiran na zlatnoj sredini "Gladijatora" i "Posljednjeg dvoboja", pozicionirajući se kao jedan od boljih filmova unutar Scottova neujednačena opusa unatrag desetak godina ("Tijelo od laži", "Prometej", "Savjetnik", "Marsovac", "Egzodus: Bogovi i kraljevi", "Alien: Savez", "Sav novac svijeta", "Dinastija Gucci").

Najsigurniji na bojištu

Korzikanski topnički časnik zarana se, u opsadi Toulona 1793., profilira kao strateg i netko tko zna kako i gdje postaviti topove, baš poput Scotta. "Iznenađenje je moja prednost, ali pobijedit ću vatrom", rekao je Napoleon. Rečeno – učinjeno: Napoleon je preoteo topove u luci i potopio britansku flotu u spektakularnoj sceni grafičkog nasilja koja priprema teren za kasnije gušenje pobune u topovskoj krvi i druge masovne bitke.

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Scena frapira dosad neviđenim borbenim detaljima na filmu u dosluhu sa Scottovom filmografijom (topovska kugla pogađa konja i ostavlja krater u prsima životinje kao da se odatle izlegao Alien), ali redatelj ne gubi iz vida Napoleona kao čovjeka (njegovo glasno disanje čuje se gotovo jednako kao i paljba) koji će za uspjeh biti promaknut iz satnika u brigadnoga generala.

Nedugo nakon opsade Toulona, Napoleon upoznaje Josephinu i njihova toksična veza počinje, puna ljubavi i mržnje, satkana od svađanja za ručkom/večerom, seksa na brzaka... i pogurana dinamikom Phoenixa i Kirby. Kad Josephine nađe ljubavnika i ignorira Napoleonova pisma tijekom oslobađanja Egipta, novine se rugaju s generalom. Članak ga opisuje kao "rogonju" i spominje "suzama natopljena pisma".

Suze je Napoleon utapao u krvi neprijatelja dok nije ponovno osvojio Josephine, ali je ostao nesiguran u njezinu ljubav i htio ju je impresionirati osvajanjima. "Samo si grubijan bez mene", govori Josephine i traži od Napoleona da ponavlja te riječi, potičući njegovu nesigurnost koju je suzbijao pobjedama na bojištu, gdje se osjeća najsigurnijim, kao i Scott.

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Scott Free Productions - Apple S/Collection Christophel Via Afp
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Treba istaknuti da "Napoleon" ima neke od najbolje orkestriranih/koreografiranih scena bitaka u povijesnom žanru svih vremena. Bitke su podjednako poetične i brutalne, upriličene iznimno čisto i pregledno na masivnoj proračunskoj skali produkcije a la "Gladiator", podsjećajući na filmove devedesetih/početka novog milenija ("Hrabro srce", "Trinaesti ratnik", "Troja", "Kralj Arthur"), iz perioda kad su se koristili statisti/setovi i računalna grafika se još nije otela kontroli.

Scenografija je raskošna i raznolika, od okršaja pored egipatskih piramida, preko snježno-ledene bitke za Austerlitz i dalje do Waterlooa. Austerlitz najviše ostaje u sjećanju zahvaljujući Scottovoj nadahnutoj režiji u prizorima kad topovske kugle probijaju koru leda i tonu na dno jezera, povlačeći sa sobom u dubinu vojnike i konje dok se voda boja krvlju. "Napoleon" potvrđuje da je Scott akcijsko-režijski nevjerojatno vitalan za jednog 85-godišnjaka.

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Rupert Everett kao Vojvoda od Wellingtona

David Scarpa je napisao remake "Dana kad se Zemlja zaustavila" s Keanuom Reevesom i Scottov "All The Money In The World"). Važniju ulogu u filmu igra i Rupert Everett kao Vojvoda od Wellingtona, a tu je i Tahar Rahim.

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Rupert Everett kao Vojvoda od Wellingtona

David Scarpa je napisao remake "Dana kad se Zemlja zaustavila" s Keanuom Reevesom i Scottov "All The Money In The World"). Važniju ulogu u filmu igra i Rupert Everett kao Vojvoda od Wellingtona, a tu je i Tahar Rahim.

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Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp Scott Free Productions - Apple S/Collection Christophel Via Afp
Scott Free Productions - Apple S/Collection Christophel Via Afp

Posljednje riječi Napoleona pred smrt bile su ‘Francuska... vojska... Josephine...‘ i one su pokretač filma Ridleyja Scotta s Joaquinom Phoenixom i Vanessom Kirby u glavnim ulogama
Scott Free Productions - Apple S/Collection Christophel Via Afp

Scenografija je raskošna i raznolika, od okršaja pored egipatskih piramida, preko snježno-ledene bitke za Austerlitz i dalje do Waterlooa
Scott Free Productions - Apple S/Collection Christophel Via Afp

Vojska i Josephine, tj. Napoleonove bitke i njegov brak prelamaju se u spektaklu koji je najbolji kad presijeca topničku akciju i interakciju supružnika
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Film & TVOD ČETVRTKA U KINIMA

Bonaparte između bojnog polja i bračne postelje: pogledali smo nestrpljivo očekivani spektakl ‘Napoleon‘

Piše Marko Njegić
21. studenog 2023. - 18:47
&lt;p&gt;Posljednje riječi Napoleona pred smrt bile su ‘Francuska... vojska... Josephine...‘ i one su pokretač filma Ridleyja Scotta s Joaquinom Phoenixom i Vanessom Kirby u glavnim ulogama&lt;/p&gt;
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Posljednje riječi Napoleona pred smrt bile su ‘Francuska... vojska... Josephine...‘ i one su pokretač filma Ridleyja Scotta s Joaquinom Phoenixom i Vanessom Kirby u glavnim ulogamaScott Free Productions - Apple S/Collection Christophel Via Afp

Car Napoleon Bonaparte (1769. – 1821.), "najveći vojskovođa u povijesti svijeta", figura je kao stvorena za film. Nizak čovjek visokih ambicija slijedio je osvajačke stope Cezara i Aleksandra Velikog, ali i doživio nesretnu ljubavnu priču sa suprugom Josephine od koje se morao razvesti kad mu nije mogla roditi nasljednika. Pa ipak, Napoleon nikako da dobije tzv. definitivni film, kroniku njegova života, od uspona iza Francuske revolucije 1789. do pada nakon bitke kod Waterlooa i smrti u progonstvu na otoku Sveta Helena 1821. godine.

Od Josephine do Sv. Helene

Takvim se, naime, baš i ne smatraju npr. nijemi "Napoleon" Abela Gancea iz 1927. s Albertom Dieudonneom u glavnoj ulozi, niti "Waterloo" Sergeja Bondarčuka iz 1970. s Rodom Steigerom. Možda bi to bio nesuđeni "Napoleon" ...

#CINEMARK#CINEMARK U KINU #NAPOLEON#POVIJESNI FILMOVI#RIDLEY SCOTT#JOAQUIN PHOENIX#VANESSA KIRBY#SPEKTAKLI#NAPOLEON BONAPARTE
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17. svibanj 2024 19:59